The very word ´´digital´´ has acquired a status that far exceeds its humble dictionary definition. Even the prefix digital, when associ ated with familiar sectors such as radio, television, photography and telecommunications, has reinvented these industries, and provided a unique opportunity to refresh them with new start-up companies, equipment, personnel, training and working practices - all of which are vital to modern national and international economies. The last century was a period in which new media stimulated new job opportunities, and in many cases created totally new sectors: video competed with film, CDs transformed LPs, and computer graphics threatened traditional graphic design sectors. Today, even the need for a physical medium is in question. The virtual digital domain allows the capture, processing, transmission, storage, retrieval and display of text, images, audio and animation without familiar materials such as paper, celluloid, magnetic tape and plastic. But moving from these media to the digital domain intro duces all sorts of problems, such as the conversion of analog archives, multimedia databases, content-based retrieval and the design of new content that exploits the benefits offered by digital systems. It is this issue of digital content creation that we address in this book. Authors from around the world were invited to comment on different aspects of digital content creation, and their contributions form the 23 chapters of this volume.
The Economics, Technology and Content of Digital TV:Economics of Science, Technology and Innovation. Auflage 1999
Style and Content in Digital Imaging:Reconciling Aesthetics with Efficiency in ImageRepresentation Grundland Mark
The Economics, Technology and Content of Digital TV:Economics of Science, Technology and Innovation. Softcover reprint of the original 1st ed. 1999
Ashton Laytham came to Fayerweather, his uncle’s estate, as an orphan at the age of seven. Family and servants alike perceived Ashton as an unlovable child and shunned him; as an adult, the occasional illicit rendezvous aside, Ashton remains aloof and alone. When his uncle dies, yet more abuse falls upon Ashton’s shoulders: the estate is bankrupt and Ashton must make good on his uncle’s gaming debts. With the family talisman stolen and the suspects fled, Ashton faces certain ruin until the arrival of Geo Stephenson, who holds all of Sir Laytham’s IOUs. Geo proposes a solution: Ashton will accommodate him in his bed, thereby paying off the debt. Attracted to Geo in spite of himself and desperate for any human kindness, Ashton agrees … never expecting to lose his heart to a man who claims he will never give his. 1. Language: English. Narrator: Paul Morey. Audio sample: http://samples.audible.de/bk/drsp/000045/bk_drsp_000045_sample.mp3. Digital audiobook in aax.